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Special livery for the Las Vegas Grand Prix weekend.
Shelves, jars and produce in a pantry, with fruit opening mid-air. Texturing.
Concept study presented at CES 2023 — exterior in motion, digitised interior and the reduced Dee design language.
A drag coefficient of 0.24, and the parts that get it there: air curtains steering the airflow into the wheel arches, cooling-air inlets that stay shut whenever possible, a flat underbody ending in a wide diffuser, and a rear spoiler that extends in two stages with speed.
Fully CG environment for Bosch's CES 2025 film, built around professional cyclist Danny MacAskill — eBike, home appliances, smart home and mobility shown as one connected, software-driven world.
The five-cylinder drivetrain shown straight through the body — engine, exhaust and gearbox down to pistons and valve train — ending at the torque splitter that shifts drive between the rear wheels.
Matrix LED headlights with laser high beam, which doubles the range of the main beam above 70 km/h. The film runs through the leaving-home animation, the glare-free high beam that cuts out oncoming traffic, junction light and cornering light.
How an electric car gets a voice. The sound is assembled from 32 separate components and remixed live by two control units, following road speed and accelerator position. One speaker outside carries the pedestrian warning required by law; two in the rear doors carry the sound the driver hears.
The battery from pack to module to cell, the extruded aluminium structure built around it, and how the load paths of a side impact travel through that structure instead of through the cells.
The interior package: passenger space on a compact footprint, the storage compartments, the digitised cockpit and a boot that changes shape with the rear seats.
A 30 ml facial oil in a glass dropper bottle, 89 % organic ingredients. The animation lets liquid, glass and label do the work — no set, no distraction, just the product on stone.
What the mild-hybrid system does in ordinary traffic — extended start/stop, coasting with the engine off, and slowing down early because the car already knows the junction ahead.
Leasing campaign for mobile.de — cars set down into the scene from above, one after another, closing on the campaign line.
Front-axle steering with a variable ratio together with dynamic all-wheel steering, shown where it is easiest to feel: manoeuvring in a multi-storey car park.
An electric jet drive for the water, taken apart piece by piece: the body bundle, the battery, the kill switch, one remote for every bundle, and how to ride it. Only the CAD data existed.
Logo animation for Allianz in Bavaria as partner of the Volksbanken Raiffeisenbanken, closing on the campaign line. Built entirely in After Effects from nothing but the Allianz logo as an SVG.
Wheel, brake and tyre at close range — hub and rings, the ceramic brake behind the spokes, and the tyre under load in motion.
An hourglass. Own idea, own project, every part of it — modelling, shading, lighting, animation and rendering — done from scratch.
The plug-in-hybrid layout of the concept car, laid open: combustion engine at the front, electric machines front and rear, the high-voltage battery in the floor, power electronics and charging port.
Logo animation for Hardbrakers, a Hamburg fixed-gear cycling collective that has been riding grand tours around the world since 2012. The logo existed as an SVG — everything else was built from scratch.
Virtuelles Studioset für Sixt: Wand, Licht und Bühne als 3D-Aufbau. Gezeigt werden fünf Entwurfsvarianten desselben Sets — eine Szene, aus der jede Fassung als Rendering fällt.
Bottle animation for the Nivea repair line — texturing and animation in Cinema 4D.
Agency showreel — built entirely in After Effects from a short script.
Title animation for Action Star Super Hero, part of the Action Star slot series. Supplied were the logo as an SVG and the game clips — the animation was devised and built from there.
Title animation for Action Star 6. Gold, light and a hard cut on the number — same starting point as the rest of the series: a logo and a handful of clips.
Title animation for Action Star Magnet — two poles pulling towards each other, then the release. Built from the supplied logo and game clips.
We’ve had very good feedback on the film — thank you for your work.
The models fit well. Thank you for the well-communicated work.
Thanks for the rendering. (…) It all fits perfectly and is exactly as agreed.
Great work.
Thanks again for being able to step in at such short notice.
Thanks also for jumping in at such short notice!
Your work looks great – we will keep you in mind for future work.
Quotes originally in German are translated.
MODELLING
SHADING
LIGHTING
RENDERING
COMPOSITING
I am a freelance art director from Hamburg, Germany, creating (technical) 3D animations, product visualizations and motion graphics for brands, agencies and post-production studios.
For 13+ years I have been helping clients stay ahead of the market and their competitors by providing every form of digital communication they need. From explanation to marketing, I deliver what a project actually needs — always on time.
I cover the entire 3D animation pipeline myself – from the CAD file to the final graded film. Agencies get one point of contact instead of a pipeline of separate trades: short loops, nothing lost in handovers, and, if needed, under NDA or white-labelled under their name.
All figures are guide prices („from“), net plus VAT. The binding quote follows in writing after the briefing. The actual price depends on the number of shots, product complexity, data (CAD available or not), resolution, length, number of scenes, audio and usage rights.
| Service | Guide price |
|---|---|
| Day rate (3D / motion / art direction) | €650 (half day €350) |
| Product still (CGI), first shot from CAD | from €450 |
| Each further shot from the same scene | from €150 |
| Product animation 15–30 s | from €2,500 |
| Technical explainer / assembly animation 60–90 svaries strongly with resolution, length, scenes, level of detail and audio | from €6,000 |
| Logo animation / titles (After Effects) | from €900 |
| 3D configurator (web) | from €8,000, project price by scope |
For animations and explainer films the price varies especially strongly: resolution (HD/4K), length, number of scenes and cuts, level of technical detail, camera moves, audio, voice-over, subtitles and language versions all change the effort considerably. No figure without this note.
Guide price: first shot from €450, each further shot from the same scene from €150. The binding quote follows in writing after the briefing.
Guide price: product animation 15–30 s from €2,500, explainer film 60–90 s from €6,000. Here the price varies especially strongly — resolution, length, number of scenes, level of technical detail, audio and voice-over all matter. Exact figure after the briefing.
Guide price: single still 3–5 working days, image series 1–2 weeks, animation 2–4 weeks. Express on request (+30 %).
Automotive (e.g. Audi, BMW), consumer goods and cosmetics (Beiersdorf/Nivea), technology and machinery, electronics. Examples under „Work“.
Anything available as CAD or as photos plus dimensions. Glass, liquid, metal and textile are all possible.
Yes, two revision rounds are included. Each further round from €120 (guide price).
Ideally STEP or IGES; OBJ, FBX and native CAD formats also work. Without CAD: photos from all sides plus dimensions.
Images as PNG/TIFF/JPG up to 8K, cut out on request. Video as MP4 or ProRes up to 4K.
Simple, unlimited-time use for web, social media and print is included. TV, outdoor advertising or buyout on request.
For proposals and variants, yes. The final image is 3D work from your data — product shape and label stay exact.
German and English.
Usually within 24 hours on working days.
Visuals for your pitch, with a fixed scope: three key visuals or one 15-second animatic, delivered within 48 hours. Under NDA or white-labelled, as you need it.
I keep production days free for your month. You call them off when a project firms up and release them when it does not.
Engineering data is built for manufacturing, not for the camera. I turn your CAD files into clean rendering models — on their own, even when the images are made elsewhere.
